Audio: LPCM 24 bits, 48 kHz, 4 channels.Additional: hot shoe, ¼-20 threads camera top.Tripod Base: ¼-20 front inset and ⅜-16 rear inset.
Rotating 3.5 inch Touchscreen Color LCD.The crop mode also gives you a little extra reach when you need it and 1080p works for your project. This gives the FX6 all the characteristics of a Super 35 film camera and avoids any vignetting. Center Scan Mode selectively crops a 1,920 × 1,080 image from the sensor’s center, allowing support for traditional Super35 cinema lenses. Whether controlling via a smartphone or tablet, streaming wirelessly to a client monitor, or wirelessly transferring files to editorial, the FX6 is prepared to handle all of your wireless needs with built-in Wi-Fi. The CFexpress slots double as SDXC slots for less demanding frame rates and bitrates.īuilt-in Wireless Streaming. The Sony FX6 uses the latest CFexpress Type A media for the highest bitrate recording and offers a variety of recording options for file spanning and redundancy. It is largely unchanged on this latest revision.ĭual CFexpress Type A Card Slots. Sony introduced a new version of the Smart Grip with the FS5 featuring full 360° rotation, assignable buttons, an assignable dial, and a joystick to enhance control. Recording RAW provides an enormous amount of detail and information, and it gives you over fifteen stops of dynamic range in your footage. Shoot 16-bit 2K- RAW and 4K- RAW video when paired with the ATOMOS Shogun 7. Lower bitrate 4K/120p recording is available and scaling down to 1080p allows for frame rates up to 240fps. The FX6 can record internal DCI 4K at 60 fps in a high-bitrate 4:2:2 10-bit XAVC-I codec.
The FX6 does lose the rear viewfinder found on the FS5. The Cinetone gamma curve is included for easy matching with Sony FX9 and Venice cameras. Other updates include a base ISO of 800 and extended high-sensitivity mode at 12800 ISO. These are major upgrades over the Super35 4:2:0 8-bit recording of the Sony PXW-FS5M2 XDCAM. What’s Changed? The standout feature of the Sony FX6 Full-Frame Cinema Camera is the full frame sensor, and a close second is 4:2:2 10-bit internal recording.
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